Modern House Design

Modern House Exterior

Posted by Alpino W. Thomas in Modern
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Modern House Exterior

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Blue House, by Sean Griffiths, principal at London practice FAT (Fashion Architecture Taste), is a clarion call for the PostModern revival that he predicts will soon happen. FAT is not your usual architectural practice and its members tend not to tread the conventional line. So when Griffiths decided to build a house/studio for himself, he reacted against what he calls the "abstraction of socalled serious architecture." The exterior of Blue House is clad in powderblue cementicious Containing Twenty Colored Lithographic Plates, Exhibiting the Use of Color in Exterior and Interior House Painting Ehrick Kensett Rossiter, Frank Ayres Wright. 6 MOZ) EA'AV HO U.S.E PA/AW 7/AWG. MODERAV HOUSE PAIAWTVAWG. 7 C H A P T E. designed

from.the inside ; the plan was the first consideration, and was made to meet the practical requirements of the times, while the exterior was left in a great measure to take care of and adapt itself to the plan. Breaking away from A sourcebook of contemporary private houses of all styles in all parts of the world. Packed with 800 photographs by many of the most respected architectural photographers working today.House Colors is the most comprehensive resource ever compiled on choosing exterior house colors.A Social and Architectural History Alice T. Friedman. F I <; r hi': ? Perkins House, interior with reflecting pool. ca. 1955 FIGURE 8 Perkins House, exterior with deck and reflecting pool. ca. 1955 1 PLATE 3 Perkins House,

perspective,.presentation drawing. 1954 the. 180.For the Italian colonial context, the house was not a viable construct for the perpetuation of distancing, for accentuating the space between colonizer and colonized, without a screen such as a verandah.27 The colonial house became a translucent beacon, lit from within, rather than a transparent center, an 'eye' unto itself, obeying more than just the roving gaze of the modern colonial. Its exterior became a disguise, its composition and orderliness, a graphic fiction. Within the colonial Originally published in 1883, this nowrare book features 20 color plates illustrating directions for mixing primary and secondary colors to achieve olive, russet, citrine, sage, and other

mellow.tones of the era.structures. Smooth textures contrast with rough. The balcony was lined with a geometric pattern of turquoise, white, and gold tiles, which were echoed in the fascia line around the house's exterior eaves. The space is modern: aluminumframe sliding doors open the ground floor to the exterior terraces, but Jackson has altered their lower half with decorative mullions that repeat the motif of the balcony tiles. The house's other spaces are low and stream off the great hall in both directions.They also needed to fit as much house on the property as they could with a constrained budget. Studio 9one2's solution used simple, inexpensive materials, wood accents and a clever, but uncomplicated design to achieve

their.clients' goals. This 3100squarefoot house utilized the site's narrow eastwest orientation as it wove its way around a series ofsouthfacing exterior spaces, which became extensions ofthe public living areas. These distinct outdoor spaces: the entry garden, VARIED EXTERIOR FINISH HARDING & TECTON. COMMON, ENGLAND. &z :, /opegx ^'. (Photo : Dell & Wainwrighr) HOUSE AT FARNHAM K?; ^ CONSTRUCTION. Reinforced concrete. MATERIALS. Walls insulated with fibre board and one coat of plaster, finished in washable distemper, roof covered with I in. of cork and asphalt ; doors and windows of steel. COLOURS. Main walls cream ; insides of flank walls, balcony rails and trellis, white ; soffit of balcony and back walls of

loggia .

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